Akkent, M. (2017). Kadın Müze- si: Toplumsal Bellek Merkezi ve Kapsayıcı Mekân/Women’s museums: Centre of social memory and place of inclusion (Meral Akkent (ed.); 1st ed.). İstanbul Kadın Müzesi Kitapları Friedrich/Women’s Museum Istanbul. https://www.raco.cat/index.php/Hermus/article/view/313731/403842

Akkent, M., & Kovar, S. N. (2019). Feminist Pedagogy: Museums, Memory Sites and Practices of Reembrance. Müzesi Kitapları Friedrich/Women’s Museum Istanbul. https://www.academia.edu/40898637/Geriye_Kalan_Yıkıldı_çünkü_tarihî_eser_değildi_s_44_55_

Ashton, J. C. (2017). Feminism and Museums: Intervention, Disruption and Change (1st ed.). Museums Etc.

Ashton, J. C. (2020a). Anonymous was a Woman (1st ed.). Museums Etc.

Ashton, J. C. (2020b). A room of one’s own Strategies of feminist arts interventions. In N. Cass, G. Park, & A. Powell (Eds.), Contemporary Art in Heritage Spaces (1st ed., pp. 83–97). Routledge. https://doi.org/10.4324/9780429053498

Bartlett, A. (2020). Feminist heritage walks: materialising the feminist past in Perth, Australia and Glasgow, UK. Gender, Place and Culture, 27(7), 1007–1022. https://doi.org/10.1080/0966369X.2019.1612855

Cicerchia, A. (2013). She Culture Final Report. http://www.she-culture.com/en/output

Clark, A. M. (2019). Museums , Feminism , and Social Impact [Buffalo State College]. https://digitalcommons.buffalostate.edu/cgi/viewcontent.cgi?article=1025&context=museumstudies_theses

Coni, G. T. (2007). Why Create a Museum on Women? Museum International, 59(4), 63–69. https://doi.org/10.1111/j.1468-0033.2007.00625.x

Da Milano, C. (2015). She Culture: Guidelines for Women’s Museums and/or gender oriented Museums. http://www.she-culture.com/en/outputs/guidelines-english

EuProstir. (2018). Gender Museum as a creative space for a dialogue myths concerning male and female roles in society. https://euprostir.org.ua/en/stories/134991

Gillette, A. (1991). Focus on women. Museum International, 171(Vol XLIII, n° 3). https://unesdoc.unesco.org/ark:/48223/pf0000089301

Goh, K. (2018, July). Why the UK’s biggest lesbian archive is so important. Dazed. https://www.dazeddigital.com/life-culture/article/40764/1/lesbian-archive-glasgow-womens-library-queer-lgbtq-history

Grab, T. (1991). Women’s concerns are gender‐roles in German museums. Museum International, 43(3), 136–139. https://doi.org/10.1111/j.1468-0033.1991.tb00973.x

Heal, S. (2019). Museums in the age of intolerance. In R. Janes, R.R. and Sandell (Ed.), Museum Activism (1st ed., pp. 208–219). Routledge.

Historic Environment Scotland. (2018). Scotland’s Lesbian History. https://blog.historicenvironment.scot/2018/02/scotlands-lesbian-history/

Holm, M. (2018b). Mona Holm’s Speech in Exhibition opening “From Evin with Love” The Iranian Women’s Movement Museum. https://www.irwmm.org/english/blog/2018/4/2/speech-mona-holm-exhibition-opening-from-evin-with-love

Holm, M., & Aarbakke, T. (2020). There She Goes Again: A Project on Gender Representation in Norwegian Museums’ Collections and Exhibition Practices. Museum International, 72(1–2), 92–103. https://doi.org/10.1080/13500775.2020.1743060

Ipsen, M. (2010a). The Women’s Museum in Denmark. Her&Mus. Heritage & Museography, 76–87. https://www.raco.cat/index.php/Hermus/article/view/313731

Ipsen, M. (2017). The Women’s Museum in Denmark: From women’s history to gender culture. In J. C. Ashton (Ed.), Feminism and museums: Intervention, disruption and change (pp. 318–343). Museums Etc.

Ipsen, M. (2020). Difficult issues around gender. In Deutschland ICOM (Ed.), Difficult Issues: Proceedings of the ICOM International Conference 2017 (pp. 179–188). arthistoricum.net. https://doi.org/https://doi.org/10.11588/arthistoricum.428

Ipsen, M., Sandahl, J., & Torykian, J. M. (1990). The Women’s Museum in Denmark. Journal of Women’s History, 2(2), 168–170. https://doi.org/10.1353/jowh.2010.0110

Kraemer, K., & Aydın, G. (2017a). Interview with Merete Ipsen, Director Women’s Museum in Denmark. https://inklusionvekadinmuzeleri.wordpress.com/2017/03/10/interview-with-merete-ipsen/

Kraemer, K., & Aydın, G. (2017b). Interview with Astrid Schönweger , Coordinator, International Association of Women’s Museums ( IAWM ). https://inklusionvekadinmuzeleri.wordpress.com/2017/03/10/interview-with-astrid-schonweger/

Krasny, E. (2013). Introduction. In E. Krasny & Meran Frauenmuseum (Eds.), Women’s: Museum. Curatorial Politics in Feminism, Education, History, and Art (pp. 10–29). Locker Verlag.

Krasny, E., & Meran Frauenmuseum. (2013). Women’s: Museum. Curatorial Politics in Feminism, Education, History, and Art/Frauen: Museum. Politiken des Kuratorischen in Feminismus, Bildung, Geschichte und Kunst. Löcker Verlag.

Levin, A. (2019). Too Much of A Good Thing? Inclusion, Editorial Roles, and the Future of Museum Studies Publishing. Museum and Society, 17(2), 261–262. https://doi.org/10.29311/mas.v17i2.2953

Lowndes, S. (2010). Social sculpture: The rise of the Glasgow art scene (2nd ed.). Luath Press Limited.

Maxwell, T. L. (2013). Reflections on Glasgow Women’s Library: the production of cultural memory, identity and citizenship. In S. de Jong & S. Koevoets (Eds.), Teaching Gender with Libraries and Archives (pp. 125–141). Central European University Press. http://www.jstor.org/stable/10.7829/j.ctt5hgzqt.15

Moore, D. (2018). The March of Women: Glasgow Women’s Library’s living and breathing archive out on the street. Social History in Museums, 42, 39–48. http://www.shcg.org.uk/domains/shcg.org.uk/local/media/downloads/Journal_037.pdf

Offen, K., & Colton, E. L. (2007). The International Museum of Women. Museum International, 59(4), 19–25. https://doi.org/10.1111/j.1468-0033.2007.00619.x

Offen, K., & Colton, E. L. (2010) Developing the International Museum of Women: Challenges and Responses. Her&Mus. Heritage & Museography, 68-75. https://www.trea.es/system/books/enlace1s/000/003/687/original/Her_Mus3.pdf?1429546485

Önen, S. (2019). A Feminist Perspective on Women’s Museums in Turkey. Culture & Communication, 22(44), 125–145. https://dergipark.org.tr/tr/download/article-file/823288

Patrick, A. (1997). Boy trouble: Some problems resulting from “gendered” representation of Glasgow’s culture in the education of women artists and designers. International Journal of Art and Design Education, 16(1), 7–16. https://doi.org/10.1111/1468-5949.00051

Patrick, A. (2017a). Claiming Space and Being Brave: Activism, Agency and Art in the Making of a Women’s Museum. In J. C. Ashton (Ed.), Feminism and Museums: Intervention, Disruption and Change (1st ed., pp. 184–215). Museums Etc.

Patrick, A. (2017b). How Art , Activism and Feminist Agency Shaped a Ground-breaking Museum. Museum ID, 2017. https://museum-id.com/art-activism-feminist-agency-shaped-ground-breaking-museum/

Patrick, A. (2019). Feminist Leadership: how naming and claiming the F word can lead the cultural sector out of equalities “stuckness”. Glasgow Women’s Library. https://blogs.ed.ac.uk/engagementandimpact/wp-content/uploads/sites/1626/2020/05/Patrick-Feminist-Leadership.pdf

Patrick, A. (2020a). March of Women. In K. Chynoweth, A., Lynch, B., Petersen, K., and Smed (Ed.), Museums and Social Change (1st ed., pp. 60–71). Routledge. https://doi.org/10.4324/9780429276903-5

Patrick, A. (2020b). Moving Mountains: Visioning Intersectional Feminist Leadership. Glasgow Women’s Library. https://womenslibrary.org.uk/moving-mountains/

Remer, A. E. (2020). Editorial. Museum International, 72(1–2), 1–7. https://doi.org/10.1080/13500775.2020.1806586

Schönweger, A. (2013). The Women’s Museum Network. The Challenges and Future of Women’s Museums, Using the Example of the Meran Women’s Museum. In E. Krasny & M. Frauenmuseum (Eds.), Women’s: Museum. Curatorial Politics in Feminism, Education, History, and Art (1st ed., pp. 157–179). Locker Verlag.

Schönweger, A. (2016). The International Network of Women’s and Gender Museums. FIHRM – INTERCOM Conference “The Ethical Museum.” https://www.fihrm.org/wp-content/uploads/2017/07/IAWM_paper_ICOM_FIHRM_July_2016_Astrid.pdf

Schönweger, A. (2017). Women’s Museums: Hubs for Feminism. In J. C. Ashton (Ed.), Feminism and museums: Intervention, disruption and change (1st ed., pp. 156–183). Museums Etc.

Skjøth, L. (1991). This is a first: Introduction by the Co‐ordinator of this issue. Museum International, 43(3), 124–125. https://doi.org/10.1111/j.1468-0033.1991.tb00969.x

Thain-Gray, R. (2019). Decoding Inequality: Analysing narratives of inequality in objects. Glasgow Women’s Library. https://womenslibrary.org.uk/gwl_wp/wp-content/uploads/2019/04/Decoding-Inequality-Sector-Report-2019.pdf

Thain-Gray, R., Jones, R., & Malloch, M. (2016). Gender and criminal justice: Challenging prejudice. Scottish Justice Matters, 4(1), 11–12. http://scottishjusticematters.com/the-journal/reimagining-punishment-justice-march-2016/

Thain-Gray, R., & Patrick, A. (2018). Equality in Progress: Fair Access, Representation and Inclusion in Museums. Research from a Grassroots Museum. Glasgow Women’s Library. https://womenslibrary.org.uk/gwl_wp/wp-content/uploads/2018/06/EiP-Report-Research-from-a-Grassroots-Museum-180615.pdf

Tuyet, N. T. (2007). The Vietnam women’s museum: The promotion of women’s rights to gender equality and gender issues. Museum International, 59(4), 70–79. https://doi.org/10.1111/j.1468-0033.2007.00626.x

Vaquinhas, I. (2019). Women’s museums today: Their creation, objectives and contribution to history. Arenal, 26(1), 275–297. https://doi.org/10.30827/arenal.v26i1.5572

Vinson, I. (2007). Gender Perspectives on Cultural Heritage and Museums. Museum International, LIX, 4(236), 1–85. https://unesdoc.unesco.org/ark:/48223/pf0000156040?posInSet=1&queryId=a8935d4a-726d-4a67-a817-28c548080fda

Lorriaux, A. (2015). Pourquoi nous n’avons pas de musée des femmes en France? Slate.Com. http://www.slate.fr/story/99029/pourquoi-musee-femmes-france

Botte, J. (2016). Les women’s museums avec des collections d’art Vers la construction de nouveaux récits et d’une autre société. La Lettre de l’OCIM, 166, 5–12. https://doi.org/10.4000/ocim.1681

Crook, P., & Malbois, F. (2005). La Glasgow Women’s Library: plus qu’une bibliothèque «femmes» pour moi! Nouvelles Questions Féministes, 24(1), 130–132. http://www.jstor.org/stable/40620285

Domercant, D. (2018). Musée d’histoire des Femmes d’Haïti: 365 Femmes de Fer (ebook). Museedes Femmes Haiti.

Bab, B. (2010). Das Frauenmuseum Bonn im europäischen Kontext. Museum Aktuell Online, 45–49. http://www.grassrootsfeminism.net/cms/sites/default/files/womeninmuseum_gendermuseum_0.pdf

Bala, E., Cyprian, G., and Franger, G. (2012). Sehen und Gesehen Werden. Ansichten Aussichten Einsichten. https://www.frauenindereinenwelt.de/publikationen/Kataloge/2012_K_sehen_und_gesehen_werden/sehen-gesehen.pdf

Franger, G. (2015). Sehen und gesehen werden. Zuhören und eine Stimme geben. Das Museum Frauenkultur Regional International. In N. Huhle & T. Huhle (Eds.), Die subversive Kraft der Menschenrechte (1st ed., pp. 413–449). Paulo Freire Verlag.

Franger, Gaby (Hg): Alltag. Erinnerung. Kunst Aktion. Rück Blick Nach Vorne. 1989-2019. 2030, Frauen in der Einen Welt, Nürnberg 2019

Krasny, E., & Meran Frauenmuseum. (2013). Women’s: Museum. Curatorial Politics in Feminism, Education, History, and Art/Frauen: Museum. Politiken des Kuratorischen in Feminismus, Bildung, Geschichte und Kunst. Löcker Verlag.

Malzner, C. (2017). Die Frauenmuseums-Frauen. Welt Der Frau. https://www.welt-der-frauen.at/die-frauenmuseums-frauen/

Museum Frauenkultur Regional. (2016). 10 Jahre im Marstall von Schloss Burgfarrnbach. https://www.frauenindereinenwelt.de/Flyer-Zeitungsartikel/Flyer-Z._2016/2016_Frauenmuseum_10J.pdf

Schönweger, A. (2003). Das Frauenmuseum in Meran. Vom Korsett zur lila Latzhose. In L. Gensluckner, H. Schreiber, & et al (Eds.), Gaismair-Jahrbuch.

Schönweger, A. (2007). Von Schönheit Alltag und Arbeit: Das Frauenmuseum in Meran erzählt. Studienverlag.

Gengaro, T., & Ruberto, R. (2007). Musei delle donne – Frauenmuseen – Women’s Museums. Un viaggio alla scoperta dei musei delle donne in Europa – un progetto di museo. http://www.tempiespazi.it/spazi/07magg/home.htm

Schönweger, A. (2018). Il Museo delle Donne di Merano: da una collezione privata alle attività di disseminazione della storia. Storia Delle Donne, 14, 141–158. https://link.gale.com/apps/doc/A611434834/AONE?u=glasuni&sid=AONE&xid=32a5fe68

Coming soon.

Coming soon.

Vaquinhas, I. (2014). Museus do feminino, museologia de género e o contributo da história. Midas, 3. https://doi.org/10.4000/midas.603

Vaquinhas, I. (2015). Museus das mulheres na actualidade: Criação, objectivos e o contributo da história. Revista Iberoamericana de Turismo- RITUR, Penedo, 5(26). http://www.seer.ufal.br/index.php/ritur/article/view/2006/1515

Coming soon.

Schönweger, A. (2010). Network Woman in Museum. Museos de la mujer se conectan entre sí. Heritage & Museography, no. 3, 55–66. https://www.trea.es/system/books/enlace1s/000/003/687/original/Her_Mus3.pdf?1429546485

Aydın, G. (2018). Kadın Temsiline Eleştirel Bir Bakış:Türkiye’deki Kadın Müzeleri [DOKUZ EYLÜL ÜNİVERSİTESİ]. https://www.e-skop.com/images/UserFiles/Documents/Editor/kadın-müzeleri.pdf

Akkent, M. (2017). Kadın Müze- si: Toplumsal Bellek Merkezi ve Kapsayıcı Mekân/Women’s museums: Centre of social memory and place of inclusion (Meral Akkent (ed.); 1st ed.). İstanbul Kadın Müzesi Kitapları Friedrich/Women’s Museum Istanbul. https://www.raco.cat/index.php/Hermus/article/view/313731/403842

Anderson, M., & Winkworth, K. (1991). Museums and gender: an Australian critique. Museum International, 43(3), 147–151. https://doi.org/10.1111/j.1468-0033.1991.tb00977.x

Andrews, M. (2019). Feminism and museums: intervention, disruption and change. Volume 1. Women’s History Review, 28(7), 1242–1244. https://doi.org/10.1080/09612025.2019.1672267

Armitage, S. (2005). Women and Museums: A Comprehensive Guide (V. J. Danilov (ed.); 1st ed., pp. 1–10). Rowman Altmira Press.

Bartlett, A., & Henderson, M. (2013). The Australian women’s movement goes to the museum: The ‘cultures of Australian feminist activism, 1970–1990’ project. Women’s Studies International Forum, 37, 85–94. https://doi.org/10.1016/j.wsif.2012.10.013

Bartlett, A., & Henderson, M. (2016a). What is a Feminist Object? Feminist Material Culture and the Making of the Activist Object. Journal of Australian Studies, 40(2), 156–171. https://doi.org/10.1080/14443058.2016.1157701

Bartlett, A., & Henderson, M. (2016b). Feminism and the museum in Australia: an introduction. Journal of Australian Studies, 40(2), 129–139. https://doi.org/10.1080/14443058.2016.1157702

Bergsdóttir, A. (2016). Museums and Feminist Matters: Considerations of a Feminist Museology. NORA – Nordic Journal of Feminist and Gender Research, 24(2), 126–139. https://doi.org/10.1080/08038740.2016.1182945

Mohanty, C. (1984). Under Western Eyes: Feminist Scholarship and Colonial Discourses. Boundary 2, 12/13, 333-358. https://doi.org/10.2307/302821

Clover, D., Taber, N., & Sanford, K. (2018a). Dripping pink and blue. Andragoška Spoznanja, 24(3), 11–28. https://doi.org/10.4312/as.24.3.11-28

Clover, D., Taber, N., & Sanford, K. (2018c). The Feminist Museum Hack: a pedagogy of seeing and possibility. Storia Delle Donne, 14, 125-140. http://www.storiadelledonne.it/wp-content/uploads/2019/11/Clover2018.pdf

Clover, D. (2018). Animating ‘The Blank Page’: Exhibitions as Feminist Community Adult Education. Social Sciences, 7(10), 204. https://doi.org/10.3390/socsci7100204

Clover, D. E., & Sanford, K. (2019). The Feminist Museum Hack: Making a creative disruptive pedagogical, investigative and analytical tool. Revista Lusófona de Educação, 42, 47–60. https://www.redalyc.org/articulo.oa?id=34958008006

Clover, D. E., Dzulkifli, S., Gelderman, H., & Sanford, K. (2020). Feminist Adult Educators‘ Guide to Aesthetic, Creative and Disruptive Strategies in Museums and Community. https://dspace.library.uvic.ca/bitstream/handle/1828/12088/Clover-Dzulkifli-Gelderman-Sanford-Feminist-Adult-Educators-Guide_2020.pdf?sequence=1&isAllowed=y

Clover, D. E., Sanford, K., Taber, N., & Williamson, S. (2020). Feminist Critique and the Museum. Brill | Sense. https://doi.org/10.1163/9789004440180

Colella, S. (2018). Not a mere tangential outbreak’: gender, feminism and cultural heritage. Il Capitale Culturale: Studies on the Value of Cultural Heritage, 18, 253–277. https://doi.org/https://doi.org/10.13138/2039-2362/1897

Cuesta Davignon, L. I. (2020). Gender Perspective and Museums: Gender as a Tool in the Interpretation of Collections. Museum International, 72(1–2), 80–91. https://doi.org/10.1080/13500775.2020.1743059

Deepwell, K. (2006). Feminist curatorial strategies and practices since the 1970s. In J. Marstine (Ed.), New Museum Theory and Practice : An Introduction (pp. 64–84). Blackwell.

Dimitrakaki, A., & Jones, A. (2012). Viable or Merely Possible? In E. Krasny & Meran Frauenmuseum (Eds.), Women’s: Museum. Curatorial Politics in Feminism, Education, History, and Art (pp. 67–78). Löcker Verlag.

Dimitrakaki, A., & Perry, L. (2013). Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Liverpool University Press.

Duncan, C. (2006). Art Institutions: Maybe Feminism Has Just Begun. Mobile Fidelities: Conversations on Feminism, History and Visuality, 19, 123–135. http://www.ktpress.co.uk/pdf/nparadoxaissue19.pdf

Glaser, J. R. (1991). The Impact of Women on Museums – an American seminar. Museum International, 43(3), 180–182. https://doi.org/10.1111/j.1468-0033.1991.tb00989.x

Glaser, J. R., & Zenetou, A. A. (1994). Gender perspectives: essays on women in museums (J. R. Glaser & A. A. Zenetou (eds.)). Smithsonian Institution Press.

Hein, H. (2010). Looking at Museums from a Feminist Perspective. In A. K. Levin (Ed.), Gender, Sexuality and Museums (pp. 53–64). Routledge.

Horne, V. (2014). History of feminist art history: remaking a discipline and its institutions. PhD Thesis. University of Edinburgh. https://www.era.lib.ed.ac.uk/handle/1842/16194

Horne, V. (2019). The Feminist Art of Self-Education. Women: A Cultural Review, 30(3), 231–253. https://doi.org/10.1080/09574042.2019.1653114

Kletchka, D. C. (2006). Women’s Work: The Gendered Discourses of Art Museum Education. Marilyn Zurmuehlen Working Papers in Art Education, 2006(1). https://doi.org/10.17077/2326-7070.1389

Porter, G. (1990). Gender bias: Representations of work in history museums. Continuum, 3(1), 70–83. https://doi.org/10.1080/10304319009388150

Porter, G. (1991). How are women represented in British history museums? Museum International, 43(3), 159–162. https://doi.org/10.1111/j.1468-0033.1991.tb00982.x

Porter, G. (1995). Seeing through Solidity: a feminist perspective on museums. The Sociological Review, 43(1 S), 105–126. https://doi.org/10.1111/j.1467-954X.1995.tb03427.x

Smith, L. (2006). Uses of Heritage. In L. Smith (Ed.), Uses of Heritage. Routledge. https://doi.org/10.4324/9780203602263

Witcomb, A. (2002). Beyond the Mausoleum. Taylor & Francis Group. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=170673

Coming soon.

Muttenthaler, R., & Wonisch, R. (2003). Visuelle Repräsentationen – Genderforschung in Museen. In I. Bauer & J. Neissl (Eds.), Gender studies Denkachsen und Perspektiven der Geschlechterforschung. Studien Verlag. http://www.demokratiezentrum.org/ringvorlesungen/ringvorlesung/gender-studies/vortraege/roswitha-muttenthaler-regina-wonisch-gender-und-museologie.html

Schönweger, A. (2006). Müssen Frauen nackt sein, um ins Museum zu kommen? Ëres Tla Ladinia: Catalogh Dè Froa Dal Museum Ladin Ćiastel de Tor En Ocajiun Dla Mostra “Ëres Tla Ladina,” 9–32.

Zettelbauer, H. (2007). Das begehren nach musealer repräsentation. Geschlecht und identität in musealen inszenierungen zum, gedenkjahr 2005. Historische Wirklichkeitskonstruktion Und Künstlerische Gestaltung Im Museum, 18(1). https://journals.univie.ac.at/index.php/oezg/issue/view/322

Gagliardi, I., & Savelli, A. (2018). La storia delle donne in percorsi di Public History Editoriale. Storia Delle Donne Rivista 1, 14. http://www.storiadelledonne.it/?page_id=986

Coming soon.

Holm, M. (2018a). Kvinner og menn på utstilling, Anno 2017. In B. S. H. Haugen & M. Pedersen (Eds.), Utdanning Hedmark (pp. 110–137). Museumsforlaget.

Coming soon.

Coming soon.

Coming soon.

Coming soon.

Akkent, M., & Kovar, S. N. (2019). Feminist Pedagogy: Museums, Memory Sites and Practices of Reembrance. Müzesi Kitapları Friedrich/Women’s Museum Istanbul. https://www.academia.edu/40898637/Geriye_Kalan_Yıkıldı_çünkü_tarihî_eser_değildi_s_44_55_

Kraemer, K., & Aydın, G. (2017b). Interview with Astrid Schönweger , Coordinator, International Association of Women’s Museums ( IAWM ). Women’s Museum Istanbul. https://inklusionvekadinmuzeleri.wordpress.com/2017/03/10/interview-with-astrid-schonweger/

Schönweger, A. (2016). The International Network of Women’s and Gender Museums. FIHRM – INTERCOM Conference “The Ethical Museum.” https://www.fihrm.org/wp-content/uploads/2017/07/IAWM_paper_ICOM_FIHRM_July_2016_Astrid.pdf

Coming soon.

Coming soon.

Coming soon.

Coming soon.

Coming soon.

Coming soon.

Lubava. (2017). Бергенский заяц. https://www.bergenrabbit.net/2017/12/bezdomnaya-istoriya-zhelaet-poznakomit-sya/

Coming soon.

Akkent, M., & Kovar, S. N. (2019). Feminist Pedagogy: Museums, Memory Sites and Practices of Reembrance. Müzesi Kitapları Friedrich/Women’s Museum Istanbul. https://www.academia.edu/40898637/Geriye_Kalan_Yıkıldı_çünkü_tarihî_eser_değildi_s_44_55_